
Stocked in Australia
Lead time 2-3 days veneer, 3 weeks pressed panels
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Natural
Bourbon OakPanel Size (mm)3000 x 1200 (some shorter lengths available)PatternPlanked -
ALPIlignum
ALPI Xilo Planked WhitePanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Xilo 2-Flamed WhitePanel Size (mm)3000 x 1200PatternALPI Designer Collection -
Natural
Sand OakPanel Size (mm)3000 x 1200 (some shorter lengths available)PatternPlanked -
ALPIlignum
ALPI Xilo Walnut PlankedPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
Natural
Nougat OakPanel Size (mm)3000 x 1200 (some shorter lengths available)PatternPlanked -
ALPIlignum
ALPI Xilo Planked BlackPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Xilo 2-Flamed BlackPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
Natural
Jet OakPanel Size (mm)3000 x 1200 (some shorter lengths available)PatternPlanked -
ALPIlignum
ALPI Xilo Planked GreyPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Xilo 2-Flamed GreyPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
Natural
Stone OakPanel Size (mm)3000 x 1200 (some shorter lengths available)PatternPlanked -
ALPIlignum
ALPI Xilo Planked SandPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Xilo 2-Flamed SandPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Sottsass GreyPanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Sottsass OrangePanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Sottsass RedPanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Sottsass Dark BrownPanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection
Bourbon Oak
Shown at 600mm wide
Natural veneers vary in colour and figure. Sample shown is indicative only.
Shown at 200mm wide
Cuban
Shown at 600mm wide
Shown at 300mm wide
ALPI Vienna Oak Flamed
Shown at 600mm wide
ALPI Vienna Oak Planked
Shown at 600mm wide
Romano
Shown at 600mm wide
Shown at 200mm wide
Designed by Hassell
Designed by Ashley Lochhead Architects
Designed by Kiril Architects
Designed by Con Bastiras Architects
Designed by Kiril Architects
Designed by Kiril Architects
Strata Oak
Shown at 600mm wide
Shown at 200mm wide
Also available in WoodWall
Designed by Design Theory
Designed by Design Theory
Frosted Oak
Shown at 600mm wide
Also available in WoodWall
by Marshall Kuzinski
Whisper
Shown at 600mm wide
Designed by FJMT Interiors
Mallee
Shown at 600mm wide
Shown at 300mm wide
Milkwood
Shown at 600mm wide
Also available in WoodWall
ALPI Xilo Planked White
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
Designed by Studiojos
Designed by Studiojos
Designed by Fiona Lynch
Designed by Fiona Lynch
ALPI Xilo 2-Flamed White
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
Designed by mckimm
Designed by Briony Fitzgerald
Designed by Briony Fitzgerald
Sand Oak
Shown at 600mm wide
Natural veneers vary in colour and figure. Sample shown is indicative only.
Shown at 200mm wide
Chinchilla
Shown at 600mm wide
Also available in WoodWall
Designed by Alexandra Kidd Design
Almond
Shown at 600mm wide
Designed by Alcorn Middleton
Designed by Porebski Architects
Even Walnut
Shown at 600mm wide
Designed by Studio Tate
Designed by studio gram
Designed by Bates Smart
Designed by Studio May
Mink
Shown at 600mm wide
Shown at 200mm wide
Designed by Studio Barbara
Designed by Adele Bates
ALPI Xilo Walnut Planked
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
Spicewood
Shown at 600mm wide
Also available in WoodWall
Nougat Oak
Shown at 600mm wide
Natural veneers vary in colour and figure. Sample shown is indicative only.
Shown at 200mm wide
Havana
Shown at 600mm wide
Shown at 200mm wide
Designed by Woods Bagot
Designed by CK Architects
Chocolate
Shown at 600mm wide
Ristretto
Shown at 600mm wide
Also available in WoodWall
Shown at 200mm wide
Designed by Studio & You
Umber
Shown at 600mm wide
Also available in WoodWall
Charred
Shown at 600mm wide
Also available in WoodWall
Espresso
Shown at 600mm wide
Grigio
Shown at 600mm wide
Shown at 200mm wide
Designed by Biasol
Designed by INK Interior Architects
Metro
Shown at 600mm wide
Also available in WoodWall
Shown at 200mm wide
Designed by MIM Design
Designed by Manna Made
Designed by Studio aem & Studio Gestalt Design
Urbino
Shown at 600mm wide
Midnight
Shown at 600mm wide
Also available in WoodWall
ALPI Xilo Planked Black
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
ALPI Xilo 2-Flamed Black
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
Ravenna
Shown at 600mm wide
Also available in WoodWall
Shown at 200mm wide
Designed by Tina Lindner
Designed by Michael Drescher, DKO
Designed by Ashley Lochhead Architects
Designed by Mim Design
Jet Oak
Shown at 600mm wide
Natural veneers vary in colour and figure. Sample shown is indicative only.
Shown at 200mm wide
ALPI Xilo Planked Grey
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
Designed by Con Bastiras Architects
ALPI Xilo 2-Flamed Grey
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
Stone Oak
Shown at 600mm wide
Natural veneers vary in colour and figure. Sample shown is indicative only.
Shown at 300mm wide
Designed by Resident Avenue
ALPI Xilo Planked Sand
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
ALPI Xilo 2-Flamed Sand
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
Dusk
Shown at 600mm wide
Shown at 300mm wide
Pashmina
Shown at 600mm wide
Shown at 300mm wide
Cirrus
Shown at 600mm wide
Also available in WoodWall
Shown at 200mm wide
Cumulus
Shown at 600mm wide
Also available in WoodWall
Designed by Studio Tate
Designed by MIM Design
Saltwood
Shown at 600mm wide
Shown at 200mm wide
Designed by BKH
Designed by Claire Del Mar
Designed by Shellee Gordon Interiors
ALPI Sottsass Grey
Design Ettore Sottsass
Shown at 600mm wide
Created by Ettore Sottsass for ALPI in the 1980s and utilised for the first time in the Memphis collection we are pleased to offer the ALPI Sottsass Collection once again in four colour variants: red, orange, brown and grey.
Designed by Flack Studio
ALPI Sottsass Orange
Design Ettore Sottsass
Shown at 600mm wide
Created by Ettore Sottsass for ALPI in the 1980s and utilised for the first time in the Memphis collection we are pleased to offer the ALPI Sottsass Collection once again in four colour variants: red, orange, brown and grey.
ALPI Sottsass Red
Design Ettore Sottsass
Shown at 600mm wide
Created by Ettore Sottsass for ALPI in the 1980s and utilised for the first time in the Memphis collection we are pleased to offer the ALPI Sottsass Collection once again in four colour variants: red, orange, brown and grey.
ALPI Sottsass Dark Brown
Design Ettore Sottsass
Shown at 600mm wide
Created by Ettore Sottsass for ALPI in the 1980s and utilised for the first time in the Memphis collection we are pleased to offer the ALPI Sottsass Collection once again in four colour variants: red, orange, brown and grey.
ALPI California Burl
Shown at 600mm wide
ALPI Walnut Burl
Shown at 600mm wide
Sapphire Burl
Shown at 600mm wide.
Shown at 300mm wide.
Silver Birdseye
Shown at 600mm wide
Shown at 200mm wide
Please note that your monitor will affect colour accuracy
Stocked in Italy (minimum 17 veneer leaves)
Lead time 2-3 weeks veneer, 5 weeks pressed panels
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ALPIlignum
ALPI TerracottaPanel Size (mm)2400 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Pointillisme ColPanel Size (mm)2400 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Pointillisme B/NPanel Size (mm)2400 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Grada GrigioPanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Grada RosaPanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Quadra RoverePanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Quadra NocePanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Grid WoodPanel Size (mm)1500 x 600 (pattern matching cannot be guaranteed along joints)PatternALPI Designer Collection -
ALPIlignum
ALPI Drapery WoodPanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Sushi Dark GreyPanel Size (mm)2100 x 1200 (pattern matching cannot be guaranteed along central join)PatternALPI Designer Collection -
ALPIlignum
ALPI Sushi BrownPanel Size (mm)2100 x 1200 (pattern matching cannot be guaranteed along central join)PatternALPI Designer Collection -
ALPIlignum
ALPI Maritime PinePanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Japanese CedarPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Tarsie 3 BlackPanel Size (mm)2400 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Tarsie 3 SandPanel Size (mm)2400 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Tarsie 1 SandPanel Size (mm)2400 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Tarsie 1 GreyPanel Size (mm)2400 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Tarsie 2 BlackPanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Tarsie 2 WhitePanel Size (mm)2400 x 1200 (pattern matching cannot be guaranteed along central joint)PatternALPI Designer Collection -
ALPIlignum
ALPI Concrete PinstripePanel Size (mm)2400 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Day and Night TwillPanel Size (mm)2400 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Xilo Striped XL WhitePanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Xilo Striped XL SandPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Xilo Striped XL GreyPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Xilo Striped XL BlackPanel Size (mm)3000 x 1200PatternALPI Designer Collection -
ALPIlignum
ALPI Xilo Blush Cherry StripedPanel Size (mm)2400 x 1200PatternQuartered -
ALPIlignum
ALPI Xilo Honey Cherry StripedPanel Size (mm)2400 x 1200PatternQuartered -
ALPIlignum
ALPI Xilo Sienna Cherry StripedPanel Size (mm)2400 x 1200PatternQuartered -
ALPI Smoky Velvet
Panel Size (mm)2400 x 1200PatternALPI Designer CollectionLead Time3-4 wks/17 leaf min
ALPI Teal Blue
Curated by Piero Lissoni
Shown at 600mm wide
ALPI Teal Blue, one of the new ‘French Palette’ collection, takes its inspiration from the French painting of the early 1700s, where the tones were often delicate and light but also daring and luminous. Each colour comes from careful study, during which Piero Lissoni, together with the ALPI technical division, has measured and balanced every single nuance to achieve a range of very precise, never banal tones.
ALPI Lichen
Curated by Piero Lissoni
Shown at 600mm wide
ALPI Lichen, one of the new ‘French Palette’ collection, takes its inspiration from the French painting of the early 1700s, where the tones were often delicate and light but also daring and luminous. Each colour comes from careful study, during which Piero Lissoni, together with the ALPI technical division, has measured and balanced every single nuance to achieve a range of very precise, never banal tones.
ALPI Curry
Curated by Piero Lissoni
Shown at 600mm wide
ALPI Curry, one of the new ‘French Palette’ collection, takes its inspiration from the French painting of the early 1700s, where the tones were often delicate and light but also daring and luminous. Each colour comes from careful study, during which Piero Lissoni, together with the ALPI technical division, has measured and balanced every single nuance to achieve a range of very precise, never banal tones.
ALPI Terracotta
Curated by Piero Lissoni
Shown at 600mm wide
ALPI Terracotta, one of the new ‘French Palette’ collection, takes its inspiration from the French painting of the early 1700s, where the tones were often delicate and light but also daring and luminous. Each colour comes from careful study, during which Piero Lissoni, together with the ALPI technical division, has measured and balanced every single nuance to achieve a range of very precise, never banal tones.
ALPI Burgundy
Curated by Piero Lissoni
Shown at 600mm wide
ALPI Burgundy, one of the new ‘French Palette’ collection, takes its inspiration from the French painting of the early 1700s, where the tones were often delicate and light but also daring and luminous. Each colour comes from careful study, during which Piero Lissoni, together with the ALPI technical division, has measured and balanced every single nuance to achieve a range of very precise, never banal tones.
ALPI Peony
Curated by Piero Lissoni
Shown at 600mm wide
ALPI Peony, one of the new ‘French Palette’ collection, takes its inspiration from the French painting of the early 1700s, where the tones were often delicate and light but also daring and luminous. Each colour comes from careful study, during which Piero Lissoni, together with the ALPI technical division, has measured and balanced every single nuance to achieve a range of very precise, never banal tones.
ALPI Pointillisme Col
Design: Atelier Mendini with Alex Mocika
Shown at 600mm wide
A reissue of the first wood produced by ALPI for Atelier Mendini in 1991, Pointillisme Col offers a ‘sunny’ version of the pattern. Multicolored dots and references to Pointillism create a cloud-like, intangible character.
ALPI Pointillisme B/N
Design: Atelier Mendini with Alex Mocika
Shown at 600mm wide
A reissue of the first wood produced by ALPI for Atelier Mendini in 1991, Pointillisme B/N offers a ‘lunar’ interpretation of the pattern in tones of grey. Multi-toned dots and references to Pointillism create a cloud-like, intangible character.
ALPI Grada Grigio
Design: Patricia Urquiola
Shown at 600mm wide
The geometric design of the grid forms the basis of this collection created by Patricia Urquiola. ALPI Grada is a surface in which the magic of colour determines the form. The grid has been developed through an ordered system of colours and gradual shadings.
ALPI Grada Rosa
Design: Patricia Urquiola
Shown at 600mm wide
The geometric design of the grid forms the basis of this collection created by Patricia Urquiola. ALPI Grada is a surface in which the magic of colour determines the form. The grid has been developed through an ordered system of colours and gradual shadings.
ALPI Quadra Rovere
Design: Patricia Urquiola
Shown at 600mm wide
The geometric design of the grid forms the basis of this collection created by Patricia Urquiola. ALPI Quadra Rovere is a geometric ton-sur-ton surface marked by the orderly lines of the grid, based on the warm, natural tones of oak.
Shown at 300mm wide
ALPI Quadra Noce
Design: Patricia Urquiola
Shown at 600mm wide
The geometric design of the grid forms the basis of this collection created by Patricia Urquiola. ALPI Quadra Noce is a geometric ton-sur-ton surface marked by the orderly lines of the grid, which combines wood varieties based on the warm, natural tones of walnut.
Shown at 300mm wide
ALPI Grid Wood
Design by Front
Shown at 600mm wide
The delicate creative touch of Front meets Alpiwood to produce Grid Wood, based on an ancient pattern with a reticular structure, which, thanks to the use of four woods of different colours joined together, reproducing the traditional inlay technique, creates the illusion of a three-dimensional surface of varying depth.
Shown as a slipmatched panel
ALPI Drapery Wood
Design: Front
Shown at 600mm wide
The delicate creative touch of Front meets Alpiwood producing a two-tone veneer that combines squares of identical size to form a pattern with an optical illusion of movement. As the name implies this new wood tricks the eye with its dynamic effect of depth, making it appear as draped.
Shown as a slipmatched panel
ALPI Sushi Dark Grey
Design Campana Brothers
Shown at 600mm wide
The Sushi collection gets its inspiration from the design of the collection of the same name created in 2002 by the Campana Brothers. The graphic pattern of these spirals is reproduced on wood using details in silver: an interpretation of the immense creativity of the Brazilian duo, filled with thoughts, poetry, energy and colour.
Shown as a slipmatched panel.
ALPI Sushi Brown
Design Campana Brothers
Shown at 600mm wide
The Sushi collection gets its inspiration from the design of the collection of the same name created in 2002 by the Campana Brothers. The graphic pattern of these spirals is reproduced on wood using details in gold, an interpretation of the immense creativity of the Brazilian duo, filled with thoughts, poetry, energy and colour.
Shown as a slipmatched panel
ALPI Bluestone
Curated by Piero Lissoni
Shown at 600mm wide
ALPI Bluestone, one of the new ‘French Palette’ collection, takes its inspiration from the French painting of the early 1700s, where the tones were often delicate and light but also daring and luminous. Each colour comes from careful study, during which Piero Lissoni, together with the ALPI technical division, has measured and balanced every single nuance to achieve a range of very precise, never banal tones.
ALPI Cloudy
Design by Gam Fratesi
Shown at 600mm wide
Based on a minimalist, fluid language typical of the conceptual approach of GamFratesi, Cloudy conveys an impressionistic vision of nature through the artistic thinking of ukiyo-e. The light, delicate pattern – inspired by the fleeting, mutable beauty of clouds – features a contrast between the black colour of the background and the intervals of ivory stripes, suggesting the evocative image of Japanese prints belonging to a distant “floating” world.
ALPI Maritime Pine
Design Kengo Kuma
Shown at 600mm wide
Maritime Pine reproduces the bark of the Maritime Pine tree with its thick, cracked character that ranges from the warm tones of red to the cool tones of pale gray.
Shown as a slipmatched panel.
ALPI Japanese Cedar
Design Kengo Kuma
Shown at 600mm wide
Japanese Cedar reproduces the bark of the cedar tree, always a symbol of longevity and force, with bark ranging from red to brown, that gradually changes as the tree grows: it is smooth on the part closer to the roots, and rugged with longitudinal cracks on the upper part of the tree.
Shown as a slipmatched panel.
ALPI Tarsie 3 Black
Design: Piero Lissoni
Shown at 600mm wide.
A reinterpretation of one of the classic geometric motifs of woodworking tradition, Tarsie 3 Black is produced through an inlay effect pattern inspired by industrial wood flooring combining different tones of ALPI Xilo Black and Grey. Perfect to be used in conjunction with either of these Xilo colours.
Shown at 600mm wide.
ALPI Tarsie 3 Sand
Design: Piero Lissoni
Shown at 600mm wide.
A reinterpretation of one of the classic geometric motifs of woodworking tradition, Tarsie 3 Sand is produced through an inlay effect pattern inspired by industrial wood flooring combining different tones of ALPI Xilo Sand. Perfect to be used in conjunction with ALPI Xilo Sand.
ALPI Tarsie 1 Sand
Design: Piero Lissoni
Shown at 600mm wide
A reinterpretation of a classic geometric motif of woodworking tradition, reproduced through an inlay effect pattern, Tarsie 1 Sand combines different tones of the Sand hue from the ALPI Xilo collection in an only apparently irregular game, recreating the classic chevron motif.
by DWP
ALPI Tarsie 1 Grey
Design: Piero Lissoni
Shown at 600mm wide
A reinterpretation of a classic geometric motif of woodworking tradition, reproduced through an inlay effect pattern, Tarsie 1 Grey combines different tones of the Grey hue from the ALPI Xilo collection in an only apparently irregular game, recreating the classic chevron motif.
Shown at 600mm wide.
ALPI Tarsie 2 Black
Design: Piero Lissoni
Shown at 600mm wide.
A reinterpretation of one of the classic geometric motifs of woodworking tradition, reproduced through an inlay effect pattern, Tarsie 2 stands out for its elegant diamond pattern, created by combining two shades of the one colour.
Shown at 600mm wide.
ALPI Tarsie 2 White
Design: Piero Lissoni
Shown at 600mm wide.
A reinterpretation of one of the classic geometric motifs of woodworking tradition, reproduced through an inlay effect pattern, Tarsie 2 stands out for its elegant diamond pattern, created by combining two shades of the one colour.
Shown at 600mm wide
ALPI Concrete Pinstripe
Design: Matteo Ragni
Shown at 600mm wide
Created in collaboration with the designer Matteo Ragni and influenced by a sartorial approach: the totally original texture of Concrete Pinstripe is based on one of the patterns of classic menswear fabrics – pinstripe.
ALPI Day and Night Twill
Design: Matteo Ragni
Shown at 600mm wide
Created in collaboration with the designer Matteo Ragni and influenced by a sartorial approach: the totally original texture of Day and Night Twill is based on one of the patterns of classic menswear fabrics – twill.
ALPI Xilo Striped XL White
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
ALPI Xilo Striped XL Sand
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
ALPI Xilo Striped XL Grey
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
ALPI Xilo Striped XL Black
Curated by Piero Lissoni
Shown at 600mm wide
The typical elegance of the language of Piero Lissoni, art director of ALPI, has been applied to the refined Xilo veneers. Innovative and advanced technologies specially developed by the in-house research and development team have made it possible to create exclusive wood patterns, bringing out the beauty of wood as a living material and reproducing its most desired natural characteristics.
ALPI Xilo Blush Cherry Striped
Shown at 600mm wide
ALPI Xilo Honey Cherry Striped
Shown at 600mm wide
ALPI Xilo Sienna Cherry Striped
Shown at 600mm wide
ALPI Honduras
Shown at 600mm wide
ALPI Alberta Maple
Shown at 600mm wide
ALPI Decape Oak
Shown at 600mm wide
ALPI Sand Oak
Shown at 600mm wide
ALPI Smoky Velvet
Shown at 600mm wide
Please note that your monitor will affect colour accuracy
Eveneer Raw – a curated range of timber veneers produced from wood species grown in agricultural plantations and well managed forests. Thoughtfully composed timber patterns and a wide range of contemporary colours make Eveneer Raw more suited to modern manufacturing processes, saving materials and time.
Eveneer Raw requires finishing, allowing you to specify your own wood finish, from oil or wax through to polyurethane or acrylic, in your preferred gloss level and achieve smooth, seam-free edges .
ADVANTAGES
- Wide range of contemporary colours.Environmentally traceable, sustainable and certified.
- Standard sheet sizes for better yield, less waste.
- More suited to modern furniture manufacturing processes, saving time and materials.
- Produced exclusively with wood from agricultural plantations and well managed forests.
- Australian made panels.
- Matching timber edging.
- Unique designer veneers.
- Your choice of wood finish.
- Seamless edge detail.
- Complementary Eveneer WoodWall and Eveneer Profiles.
APPLICATIONS
- Wall and ceiling panelling
- Joinery
- Furniture
- Acoustic panelling
RANGES
ALPIlignum
Recut timber veneers where rotary peeled timber is colour enhanced, reformed to a square log and then sliced into rectangular veneer sheets. This results in veneer free from the splits, holes and discolouration. Even in colour and pattern, matching joinery elements, integrating future additions and replacing damaged panels is much easier. ALPIlignum is made for Elton Group by the world’s leading manufacturer of recut veneer, ALPI, in Italy, from Poplar grown in agricultural plantations and Ayous timbers grown in FSC certified sustained yield forests. Founded over a century ago, the firm’s revolutionary recut veneer was the first product of its type and remains one of the most iconic.
Natural
With timeless appeal and endless utility, natural timber veneer continues to inspire with its strength, durability and inherent aesthetic beauty. Assembled with a refined pattern, each sheet tells a story of the tree from which it came, while maintaining a level of homogeneity made possible by an exacting curatorial process. Dyeing, smoking or ageing further the range of available colours while maintaining the unique grain of the wood species.
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July Store Melbourne
ALPI California Burl
Eveneer Raw
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Latteria SA
ALPI California Burl
Eveneer Raw
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July Store (Brisbane)
ALPI California Burl
Eveneer Raw
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Duo Centre Krakow
ALPI Drapery Wood
Eveneer Raw
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Lavender Bay House
ALPI Maritime Pine
Eveneer Raw
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Untitled Richmond
ALPI Sottsass Grey
Eveneer Raw
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Gibney
ALPI Sottsass Grey
Eveneer Raw
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MacMasters Beach
ALPI Sottsass Grey
Eveneer Raw
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Archetipo Kitchen
ALPI Sottsass Grey
Eveneer Raw
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Casa MILC Madrid Apartment
ALPI Sottsass Orange
Eveneer Raw
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Off-White Flagship Store Paris
ALPI Sottsass Red
Eveneer Raw
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Astral Bar—Star City
ALPI Tarsie 1 Sand
Eveneer Raw
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Me & You Exhibition
ALPI Walnut Burl
Eveneer Raw
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Centennial Park residence
ALPI Xilo 2-Flamed Black
Eveneer Raw
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Sanderling
ALPI Xilo 2-Flamed Sand
Eveneer Raw
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Thredbo Ski Lodge
ALPI Xilo 2-Flamed White
Eveneer Raw
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Moda
ALPI Xilo 2-Flamed White
Eveneer Raw
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UNSW Law Library
ALPI Xilo 2-Flamed White
Eveneer Raw
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Woollahra Residence
ALPI Xilo 2-Flamed White
Eveneer Raw
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Norwood Residence
ALPI Xilo Planked Grey
Eveneer Raw
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Casa Halcyon
ALPI Xilo Planked White
Eveneer Raw
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Alamer
ALPI Xilo Planked White
Eveneer Raw
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Grant Thornton Melbourne
Almond
Eveneer Raw
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Holloway House
Almond
Eveneer Raw
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Hammond Greens Display Suite
Almond
Eveneer Raw
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Walan Apartment
Almond
Eveneer Raw
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Leichhardt House
Almond
Eveneer Raw
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Old Dairy
Almond
Eveneer Raw
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Heyington
Almond
Eveneer Raw
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Modern Mid-century
Almond
Eveneer Raw
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Bedroom
Angora
Eveneer Raw
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Use the Good Plates
Charred
Eveneer Raw
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Wall Joinery
Charred
Eveneer Raw
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Elizabeth Street
Chinchilla
Eveneer Raw
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The Esplanade
Cumulus
Eveneer Raw
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Waterman
Cumulus
Eveneer Raw
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Middle Park House
Cumulus
Eveneer Raw
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Orangeville
Dusk
Eveneer Raw
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Maddocks Lawyers
Even Walnut
Eveneer Raw
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Boutique Office
Even Walnut
Eveneer Raw
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Riverlee
Even Walnut
Eveneer Raw
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Rose Park House
Even Walnut
Eveneer Raw
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River House
Even Walnut
Eveneer Raw
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Tree House
Frosted Oak
Eveneer Raw
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The Isles NSW
Frosted Oak
Eveneer Raw
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Casa Luna
Grigio
Eveneer Raw
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Cashmere Collection
Grigio
Eveneer Raw
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Parkview House
Havana
Eveneer Raw
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Next Hotel
Havana
Eveneer Raw
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Blairgowrie House
Metro
Eveneer Raw
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Harbour View House
Metro
Eveneer Raw
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Middle Park House
Metro
Eveneer Raw
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Central Park Tower
Milkwood
Eveneer Raw
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Lavender Bay House
Milkwood
Eveneer Raw
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Jag Kitchens
Milkwood
Eveneer Raw
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KPMG
Milkwood
Eveneer Raw
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Sub-Zero Wolf Showroom
Mink
Eveneer Raw
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Highgate Penthouse
Mink
Eveneer Raw
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Middle Dural House
Ravenna
Eveneer Raw
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Essendon House
Ravenna
Eveneer Raw
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The Big House on the Hill
Ravenna
Eveneer Raw
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Symmons Plains
Ravenna
Eveneer Raw
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Melbourne Residence
Ravenna
Eveneer Raw
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Windsor Residence
Ravenna
Eveneer Raw
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Kew Home Renovation
Ravenna
Eveneer Raw
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Pastorale Wagga
Ristretto
Eveneer Raw
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Westfield Head Office
Ristretto
Eveneer Raw
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St Ives
Romano
Eveneer Raw
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Mornington House
Romano
Eveneer Raw
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Deakin Downtown
Romano
Eveneer Raw
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Camberwell Home
Romano
Eveneer Raw
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Arthouse
Saltwood
Eveneer Raw
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1 Lachlan
Saltwood
Eveneer Raw
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Omvivo Mono Vessel
Saltwood
Eveneer Raw
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Church Point
Spicewood
Eveneer Raw
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Greenhouse Interiors
Stone Oak
Eveneer Raw
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Pinsent Masons
Strata Oak
Eveneer Raw
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New Farm Apartment
Urbino
Eveneer Raw
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Harrington Collections
Whisper
Eveneer Raw
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ALPI California Burl
Eveneer Raw
ALPI California Burl
Eveneer Raw
ALPI California Burl
Eveneer Raw
ALPI Drapery Wood
Eveneer Raw
ALPI Maritime Pine
Eveneer Raw
ALPI Sottsass Grey
Eveneer Raw
ALPI Sottsass Grey
Eveneer Raw
ALPI Sottsass Grey
Eveneer Raw
ALPI Sottsass Grey
Eveneer Raw
ALPI Sottsass Orange
Eveneer Raw
ALPI Sottsass Red
Eveneer Raw
ALPI Tarsie 1 Sand
Eveneer Raw
ALPI Walnut Burl
Eveneer Raw
ALPI Xilo 2-Flamed Black
Eveneer Raw
Architect
Spicer Architecture
Joiner
N & J Joinery
ALPI Xilo 2-Flamed Sand
Eveneer Raw
ALPI Xilo 2-Flamed White
Eveneer Raw
ALPI Xilo 2-Flamed White
Eveneer Raw
ALPI Xilo 2-Flamed White
Eveneer Raw
ALPI Xilo 2-Flamed White
Eveneer Raw
Cabinetmaker
Refined Joinery
ALPI Xilo Planked Grey
Eveneer Raw
ALPI Xilo Planked White
Eveneer Raw
ALPI Xilo Planked White
Eveneer Raw
Almond
Eveneer Raw
Almond
Eveneer Raw
Almond
Eveneer Raw
Alcorn Middleton
Almond
Eveneer Raw
Almond
Eveneer Raw
Almond
Eveneer Raw
Angora
Eveneer Raw
Charred
Eveneer Raw
Charred
Eveneer Raw
Chinchilla
Eveneer Raw
Cumulus
Eveneer Raw
Cumulus
Eveneer Raw
Cumulus
Eveneer Raw
Dusk
Eveneer Raw
Even Walnut
Eveneer Raw
Even Walnut
Eveneer Raw
Even Walnut
Eveneer Raw
Even Walnut
Eveneer Raw
Even Walnut
Eveneer Raw
Frosted Oak
Eveneer Raw
Frosted Oak
Eveneer Raw
Grigio
Eveneer Raw
Havana
Eveneer Raw
Havana
Eveneer Raw
Metro
Eveneer Raw
Metro
Eveneer Raw
Metro
Eveneer Raw
Milkwood
Eveneer Raw
Milkwood
Eveneer Raw
Milkwood
Eveneer Raw
Mink
Eveneer Raw
Mink
Eveneer Raw
Ravenna
Eveneer Raw
Ravenna
Eveneer Raw
Ravenna
Eveneer Raw
Ravenna
Eveneer Raw
Ravenna
Eveneer Raw
Ravenna
Eveneer Raw
Ristretto
Eveneer Raw
Ristretto
Eveneer Raw
Romano
Eveneer Raw
Romano
Eveneer Raw
Romano
Eveneer Raw
Saltwood
Eveneer Raw
Saltwood
Eveneer Raw
Saltwood
Eveneer Raw
Spicewood
Eveneer Raw
Stone Oak
Eveneer Raw
Strata Oak
Eveneer Raw
Urbino
Eveneer Raw
Whisper
Eveneer Raw
Please note that your monitor will affect colour accuracy
STANDARD DIMENSIONS
Timber Veneered Panels*
Length: 2400/2700/3000mm (+ overtrim)
Width: 1200mm (+ overtrim)
Thickness: typically 18/25/32mm
Timber Veneer Sheets
Layons, paperbacked or multilay
Length: 2400/2700/3000mm (+ overtrim)
Width: 1200mm (+ overtrim)
Thickness: 0.55/0.6/1.5mm (tolerance +/- 0.08mm)
Timber Veneer Leaves
Length: 2500/2800/3150mm (+ overtrim)
Width: 640mm +/- 20mm
Thickness: 0.55 – 0.6mm (tolerance +/- 0.08mm)
Timber Veneer Edging Rolls
Length: 50m
Width: 22/38mm
Thickness: 0.5mm (some items also 1.5mm)
*Other sizes/thicknesses available on application
MOISTURE CONTENT
8% – 12%
SPECIFIC WEIGHT
Depending on the base wood used varies from 450 – 650kg/m3 with 12% moisture content
REACTION TO LIGHT
All timbers change colour over time when subjected to direct and indirect light, both natural and artificial. In addition, heat and humidity will accelerate the ageing process and finished colour may also be affected by such things as staining, polish, excessive heat and reaction to glues and other chemicals. To minimise this change we recommend the use of a toner in the finishing system as well as sufficient amounts of UV inhibitor in each coat of polish at a percentage recommended by your qualified polisher.
COLOUR CONSISTENCY
ALPIlignum recut ‘logs’ produce approximately 1000 leaves of veneer. Within these logs the variation is minimal, however, as with fabric, carpets, etc, logs can vary in colour by up to 10% due to natural variations in the timbers, their absorption characteristics and different toner batches.
Natural veneers come from a variety of species. Veneer grains and colours will vary from log to log, within the same species and even within the same log. Our colouring systems and exacting curatorial process aim to even out these variations over multiple sheets, but a variation from sheet to sheet is to be expected.
Different polishing systems can also change the finished colour of the veneer. In large or lengthy projects it is important to manage the integration of a new log into the fit-out to avoid noticeable variations, e.g. do not use veneer from 2 different logs in the same section of wall panelling, or piece of joinery.
REACTION TO FIRE
Eveneer Raw has achieved Group 2 when pressed on Fire Rated MDF or Group 3 when pressed onto standard MRMDF board according to Specification A2.4 of the Building Code of Australia, BCA C1.10a Fire Hazard Properties, Wall and Ceiling Linings/Coverings.
Samples were tested in accordance with AS 5637.1:2015 Determination of fire hazard properties Part 1: Wall and Ceiling Linings/Coverings.
HOW EVENEER RAW (ALPIlignum) IS MADE
Peeling
Poplar, Ayous or Limewood logs are rotary peeled into thin sheets with a peeling machine and then cut into the sizes required for the manufacturing process.
Toning
The core of this process is in the toning of the sheets to obtain the required colour. Thanks to the constant research on wood toning carried out by the manufacturer, toning systems based only on water cycles have been developed.
Wood sheets are impregnated by immersion into steel tanks at controlled temperatures with the addition of soluble colours made of an organic structure and therefore without chrome or other heavy metals.
Drying
During the retoning process, moisture reaches 100%. Through the drying of the retoned veneer sheets in hot air dryers, the excess moisture is eliminated. After coming out of the drying tunnel, retoned veneer sheets undergo a further quality selection.
Composition
According to the wood species to be reproduced or the selected design, the retoned veneers are mixed, superimposed with the same fibre direction and piled up for pressing.
Gluing
The pack of sheets is then put into a gluing roller that spreads some glue on each sheet. The gluing operation serves two important functions: it transforms the pack of sheets into a monolith and determines particular patterns according to the colour of glue used.
Pressing
The block of glued sheets is put into a flat press or presses with particular moulds according to the design to be obtained.
The different moulds determine the crown and/or burl designs.
At the end of this stage we have a compact rectangular block a few metres long and about 700mm wide and high.
Slicing
The compact rectangular block is squared and sanded before being sliced or sawn to obtain veneers or boards.
Final Control
Every sheet undergoes accurate quality controls and, if necessary, is repaired by experts using cabinet making techniques.
↑ Rotary peeling the veneer
↑ Veneer blocks prior to pressing
↑ Square log ready for slicing Eveneer
FREQUENTLY ASKED QUESTIONS
Is Eveneer Raw made from real wood?
Yes, it is made from veneers of natural wood and preserves all the typical characteristics of natural wood: its main advantages compared to natural wood are surface homogeneity, more even colouring and standard dimensions. The process of creating Eveneer Raw Alpilignum comprises an initial peeling followed by slicing, that is why it is known as recut.
Can Eveneer Raw be finished using the traditional polishing systems used for other types of wood?
Yes it can, without causing any significant changes.
Does Eveneer Raw require special polish?
No it doesn’t. It only requires a polish with high wetting power and good resistance to yellowing which has already been designed for deep pore wood or light-coloured wood such as maple and birch. Please note that the use of good UV absorbers in the topcoat increases the resistance of finished products to light.
Can Eveneer Raw be finished with water-based polishes?
Yes it can, without causing any problems*, but bear in mind that specific hardwood emulsion must be used, since this wood usually has a slightly acid reaction.
* Smoked or Dyed Naturals may experience unexpected colour change with some polishes, particularly water-based. Please check first on an offcut.
QUANTITIES
Please contact us when your project requires large quantities of veneer so that we can work with you to ensure stock availability.
PANEL STABILITY
To prevent your veneered panels from warping and/or bowing, they are backed with a timber veneer of similar thickness and strength (backing veneer). For surfaces that will not be seen any colour veneer may be used, this is known as Good One Side (G1S) with BAMO back (back at manufacturer’s option). If both surfaces will be visible the face veneer should be used both sides, Good Two Sides (G2S).
LENGTHS
Eveneer Raw timber veneers are available in 2500mm, 2800mm or 3100mm lengths, please refer to the individual item for its length. If longer lengths are required it is necessary to specify whether the veneer is to be joined end to end or perhaps the veneer would be better run in a different direction and joined side to side. If joined end to end the joint will be obvious so should be dealt with as a design feature and may be best book-matched, but when joined side to side the joint is virtually invisible. The direction of the veneer grain should be indicated on your drawings.
MATCHING + JOINING
The method used to slice veneer results in a tight (smooth) side and a loose (rough) side. Eveneer Raw should be pressed with the tight side to the panel, so that the loose side is sanded back towards the tighter/ smoother grain. It is generally recommended that Eveneer Raw sheets be slip matched (joined side by side), however, if you are using a burl pattern, e.g. Coco-Burl, to simulate the look of natural burls, it is recommended to cut the sheets down into halves or thirds and book-match the sheets to achieve a symmetrical effect (one piece tight side down, the next, tight side up).
COLOURS
Eveneer Raw ALPIlignum ‘logs’ produce approximately 1000 leaves of veneer. Within these logs the variation is minimal, however, as with fabric, carpets, etc, logs from different colour batches can vary in colour by up to 10% due to natural variations in the timbers, their absorption of the dyes and different dye batches. Different coating systems can also change the finished colour of the veneer. In large or lengthy projects it is important to manage the integration of a new log into the fit-out to avoid noticeable variations, e.g. do not use veneer from 2 different logs in the same section of wall panelling.
Eveneer Raw Naturals are made up of natural veneers, mainly European Oak, and will exhibit a range of colour variation. We have created carefully curated ‘layons’ (large sheets of joined veneer in a planked pattern, suited to standard manufacturing methods)
CROWNS
Most Eveneer timber veneers exhibit a quartered (also known as straight) grain, while some have a pattern known as crown. In conventional veneers, the crown is caused by the tapering shape of the tree and in Eveneer this pattern is replicated in the manufacturing process. Our pattern diagrams give an indication of the full leaf pattern – 2 leaves make up a full panel. Please indicate the direction of the grain on your drawings and how you would like your crowns to appear on the finished joinery item. It is possible to change both the direction and spacing of the crowns, if the application requires, in which case you should discuss the layout of the veneer with your joiner.
EDGING
Matching veneer edging rolls are available for Eveneer Raw products in 0.5mm thickness. Some items are also available in 1.5mm thickness.
Please note that the edging may come from a different log of veneer and will be subject to the same natural variations as the face veneer. This is not usually an issue for edges seen on a different plane to the face material but when edges are in the same plane (such as end panels) it is important to take the time to check the colour against the face material supplied and it may be preferable to use face material instead.
REACTION TO LIGHT
All timbers change colour over time when subjected to direct and indirect light, both natural and artificial. In addition, heat and humidity will accelerate the ageing process and finished colour may also be affected by such things as staining, polish, excessive heat in panel production and reaction to glues and other chemicals. Some timber colours change more than others. To minimise this change we recommend the use of a toner in the finishing system as well as sufficient amounts of UV inhibitor in each coat of polish at a percentage recommended by your qualified polisher. However, we stress that no timber products or finishes will withstand prolonged exposure to light without exhibiting some change over time, therefore, we do not recommend the use of Eveneer in areas subject to high light exposure.
FINISHING
Veneered surfaces require finishing to protect them from marking and the effects of humidity and light. There are many finishes available from Oils and Waxes through to Polyurethane, Acrylic Modified Polyurethane, and Polyester. The finish you use will generally be determined by the appearance and/or hardness required. Your cabinet maker or polish supplier should be consulted on the product most suitable for your application. Some important points to discuss with your polisher.
Isolator Layer
We recommend the application of a polyurethane isolator layer to separate the salts and tannins in the timber from any chemical reactions with the polish.
Choking
Eveneer Raw is an open pored timber and can be finished to achieve either an open pore or closed pore (smooth) look. For a closed pore look the finish should be described as fully choked.
Gloss Level
As a general guide: matt can be described as 0 = 10% gloss level, low sheen 10 = 25%, satin 25 = 50%, semi-gloss 50 = 80% and high gloss 80 = 100%. (Source: Master Painters Institute).
Yellowing
Some polyurethanes are more yellow than others and may also become more yellow with age. To minimise this, we recommend the use of non-yellowing finishes. To date, the clearest finish available is acrylic modified polyurethane.
UV Protection
It is recommended that Eveneer Raw be finished with a polish that includes suitable quantities of UV inhibitors or absorbers in each coat of polish.
Antimicrobial Protection
If required, an antimicrobial additive, compatible with the polishing system, may be added to the lacquer prior to spraying.
Appearance
It is important to note that the colour of the timber will be changed by the application of a finish. The best way to determine the potential colour change on a piece of raw veneer is to moisten the surface with a damp cloth.
Staining/Toning
The colour of Eveneer Raw can be changed to achieve a specific colour and/or to improve its light fastness. For larger changes in colour, staining is the preferred method. After sanding, an oil-based, wiping or penetrating stain is applied by hand, prior to polishing. For small changes in colour, toning may be used. Toning is achieved by adding colour to the first (closest to the timber) coats of polish. Finally, it is important for you to arrange for a polished sample of the veneer specified, indicative of the final finish, to be provided by the cabinet maker responsible for the project. It is recommended that you also run fabrication tests to determine the potential for colour change.
Water based finishes
Special attention is needed when using water-based polish, due to the hygroscopic nature of wood veneer. Any water-based polish used must remain stable in moderately acid pH (4–6) conditions, such as products specifically formulated for acidic broad-leaved (hardwood) types of wood. Elton Group recommends following the instructions of the polish manufacturer and conducting preliminary tests before proceeding.
OUR COMMITMENT
Wood is one of our few renewable resources and those of us in the forest products industry have a responsibility to ensure protection and wise utilisation of the forests so that they will be available for future generations.
Elton Group is committed to supplying timber veneers in accordance with advanced environmental standards for forests, water utilisation and raw material utilisation.
All of our timber veneers are sourced from woods harvested in accordance with the CITES (Convention on International Trade in Endangered Species of Wild Fauna and Flora) International Trade Agreement.
Elton Group is FSC® certified (Forest Stewardship Council®) FSC Licence Code FSC-C020940. The FSC label indicates that the wood used in the production of the veneer originates from sustainably managed forests according to strict environmental, social and economic standards and other controlled sources.
Another important milestone we have reached in forest management is attainment of OLB certification (Origine et Legalité du Bois OLB-CERT-090501) testifying to the legality and the traceability of forestry operations and industrial wood processing in Cameroon. OLB certification means we can assure our customers of compliance with regulations relating to forestry management, environment, hygiene, health, safety at work, taxation, employment contracts, procurement and export of wood; we also provide certification of the timber’s geographical origin and its traceability to primary processing.
Office operations reduce paper use, we reuse or recycle all packaging and we maintain 800 acres of natural Australian forest in the Otway Ranges, Victoria for the protection of flora and fauna.
RAW MATERIALS
Poplar and Ayous are the fundamental raw materials for the production of ALPIlignum while our Natural veneers are sliced from a number of veneer-grade wood species.
Harvesting of logs is designed to protect the environment and regenerate the species used.
Poplar
Poplar has been cultivated for decades in Italy using agricultural methods. The Italian plantation poplar, populus sp. euro-americana, is grown in high rainfall areas, mainly in the Pandania Plain, Northern Italy, as a crop alternative to corn, rice or soya. Trees are harvested every 10 – 12 years. The plantations are SGS (Societe Generale de Surveillance) certified for environmental sustainability. SGS founded in 1878 are the world’s leading independent environmental inspection, verification, testing and certification company.
Ayous
These veneers come from a single specie of tree and are not purchased on the open market but are sourced from the manufacturer. The Cameroon forest concessions are operated under a strict and detailed forest management plan in accordance, with Cameroon forestry regulation (Law No. 94/01– decree 95/531) designed to achieve maximum sustainability and the lowest environmental impact. The total volume of wood harvested is never greater than the wood volume regrowth in the same area.
In April 2009 the forestry and wood processing operations were awarded OLB certification. In 2023 they were awarded FSC certification.
Other wood species
Our Natural veneers are sourced from sustainably managed and harvested forests. Sustainably managed native forests are a natural ecosystem and consequently have high biodiversity. Such forests are managed in accordance with strict laws and regulations to protect biodiversity, endangered species, water quality and other environmental values. Sustainable harvest means that the amount of timber that grows back each year is greater than, or equal to, the amount harvested.
ADHESIVES
The adhesive used in the manufacturing process is a special formula of low formaldehyde urea resin.
DYES
Dyes are water based aniline, similar to those used in textiles with no organic thinners, chrome, heavy metals or chlorines. These dyes meet the strict German law of Aromatic Amine, Faberstoffeverboliste, DTD July 27, 1994.
FORMALDEHYDE
Eveneer Raw has European E1 certification = formaldehyde emission of less than 0.1ppm (according to European Norm EN 717-1) or less than 2.5mg/m2 per hour (according to European Norm EN 717-2). WFI and CATAS certificates can be downloaded from our website. E0 is also available subject to quantity and lead time. Birdseye and burl patterns may have emissions more than 3.5mg/m2 per hour due to more adhesive being used in the process. We suggest that normal OH&S timber veneer use practices are followed when using this product.
VOCs
Eveneer Raw veneers have negligible VOCs (volatile organic compounds). Any contribution to VOCs and formaldehyde in veneered panels is not generally due to the veneer, but due to the substrate, glues and coating. If the finished veneer panels are required to be E0 and low VOC, please specify all substrates, glues and coatings to be E0 and Low VOC.
OPERATIONS
Eveneer Raw is produced in line with the strictest European Ecological Regulations. The health and safety of the work place is protected through state of the art wood-dust suction systems, purification systems for the water used in the dyeing process as well as environmental systems for the disposal of solvents from the plants. Innovative manufacturing assures maximum product yield and all wood scraps generated during the process are recycled.
↑ Rotary peeling the logs for maximum yield
Certifications
- FSC1 (Forest Stewardship Council)
- OLB (Origine et Légalité des Bois OLB CERT-090501) Legal origin of Ayous
- SGS (Certificate of Conformity No01/015P) Legal origin of Poplar
- EUTR (European Union Timber Regulation) Declaration
- Formaldehyde Emissions EN 717
1 FSC is an internationally recognised body that certifies timber products produced in a sustainable manner, with a stringent traceability system that verifies the path taken by certified raw material throughout all stages of processing, manufacturing and distribution.
FOR THE MANUFACTURER
Veneer and veneered panels should not be exposed to bright light, excessive heat, high-humidity, chemicals, water and other liquids. Avoid even temporary contact with water and other liquids and avoid any moisture on the product surface. Store flat at least 200mm from the floor and keep covered with plastic sheeting and/or a cover sheet. It is preferable for veneered boards to be coated immediately after sanding, because raw wood exposed to air may oxidise and discolour. To protect from the effects of light and dry air or wind, always keep the raw veneer and uncoated veneered panels completely covered with a panel of flat plywood, MDF, etc. Keep the humidity range of the storage area between 40% and 70% (RH). When transporting veneer, care must be taken to keep it dry, protected from air/wind and clean from road dirt and dust. As in all wood working operations, it is essential that adequate protection is taken against the contact and the breathing of wood dust when processing, and that normal workplace hygiene practices are followed.
FOR THE SPECIFIER AND END USER
In general, timber veneered surfaces should be kept clean and dry, out of bright light, in a controlled environment.
Dusting
Use a soft dry cloth or feather duster.
Polishing
Use a high quality furniture polish and a soft dry cloth. It is recommended the polish used not contain any silicone as this may cause re-coating or refurbishment problems at a later date. Do not use harsh cleaners, chemicals, bleach, ammonia or solvents that affect the surface finish. Abrasive cleaners will of scratch the surface and reduce the visual clarity.
Extreme Temperature Changes
The expansion or contraction of timber due to extreme temperature changes may cause damage to the surface coating. Care should be taken in air conditioned or heated environments or next to windows to keep temperature changes within reasonable limits. Use heat resistant place mats under hot items to avoid heat damage.
Spillages
Spillages should be cleaned with a damp cloth as soon as possible as moisture may cause damage to the coating. High humidity, steam and excessive water in contact with the coating may cause the coating to crack and if it gets under the coating causes staining of the veneer surface. If spilled, chemical substances and alcohol should be removed immediately from all veneered surfaces.
Dirty or Greasy Marks
After first wiping with a dry cloth, wipe with a cloth lightly dampened with a mixture of water and a high quality furniture polish. Persistent dirty or greasy marks may be removed with a mild, nonabrasive proprietary cleaner appropriate for the type of surface finish. The appropriateness of the cleaner should be sought from the surface coating or cleaner manufacturer. The effect of the cleaner on the surface should be tested on a hidden or a less conspicuous section of the finished veneer surface.
Bright light and UV
Direct sunlight, very bright indirect light and excessive heat should be avoided on all internal veneered surfaces because fading, bleaching or colour changes to the surface coating and the veneer may occur. Use curtains, blinds and UV filter-membranes on windows to reduce the intensity of the light. Excessive hot sunshine may dry the veneer surface more quickly than the veneer substrate thereby causing small surface checks parallel to the grain to appear and possibly damage the surface coating.
Eveneer is supplied in the raw form and we do not have control over the finishes/clear coats used in fabrication. Please contact your fabricator or coatings supplier for specific care instructions or warranties for the finished product.
SPECIFICATION
We have prepared a sample short form specification to help you specify Eveneer Raw timber veneer. Please highlight and copy and paste the relevant details into your specification sheet. You can add other clauses as appropriate.
Timber Veneer
Eveneer Raw insert veneer name If FSC® certification is required, please specify.
Contact
Elton Group 1-5 Brough St Springvale 3171 Victoria Australia
T +61 3 8555 2235 F +61 3 8555 3009
enquire@eltongroup.com
Grain Direction
As indicated on the drawings (with crown cut veneers note the direction and location of the crowns)
Matching
Leaves are to be slip/book* matched (slip matching is generally recommended for Eveneer)
Substrate
MDF/particleboard/plywood/other* and thickness mm
Backing
Veneered board to be backed with a balancing veneer back face grade/BAMO* (back at manufacturer’s option)
Edges
0.5mm/1.5mm/other* matching veneer edging.
Finishing
Veneer is to be finished using isolator, sealer and top coating products engineered for wood finishing insert finish information supplied by the polish manufacturer. Finish must include UV inhibitors in each coat. All materials must be used in strict accordance with the manufacturer’s instructions. Unfinished veneer must be protected from UV and water exposure.
Gloss Level
Insert gloss level % open pore/fully choked.
*delete as applicable.
SAMPLES
To help with your selection, Eveneer Raw timber veneers are available in 100mm x 100mm polished samples. The polish used is a high quality acrylic polyurethane in a <5% gloss level.
Samples are sent by Australia Post regular mail service. Sample requests received before 2pm will be processed same day. To order samples click on the Order Sample tab on the desired product and add to sample cart. At the end of your session proceed to sample cart, at the top right hand of your screen, fill in your details and complete your sample order.
If you require raw veneer samples: A4 or A6 size to replenish your binder, please call us on 1300 133 481 or email enquire@eltongroup.com
Polished samples supplied by Elton Group are not warranted as representative of the finished article. If your client is happy with the veneer selection, it is important for you to arrange a polished sample of the veneer specified, indicative of the finished product, be provided by the cabinet maker responsible for the project. It is recommended that you also run fabrication tests to determine the potential for colour change in your specific application.